Sigma FP2: price, specs and everything that changed from the original fp
Sigma's FP2 adds phase-detect AF, 6K open gate, ProRes RAW and a tilting screen to a pocket full-frame body. Specs, price and what it means for video.
Sony's FX5 was due in August. It now ships 8-9 November in North America and 16 November in Europe. What caused the delay, and what to check on yours.
The Sony FX5 was announced on 22 July 2026 and was supposed to ship in mid-August. It still hasn’t reached most buyers. Sony’s European stores now list 16 November 2026, and SonyAlphaRumors says North American dealers will start shipping on 8 and 9 November. Sony has only ever blamed “production-related circumstances”, while early owners have reported rear screens that come loose.
If you have a pre-order in, here’s what’s confirmed, what’s only reported, and the two minutes of checks worth doing when the box finally lands.
It depends on where you ordered it, and on who you believe.
Europe has the firmest date, because it comes from Sony itself: the product pages on Sony’s UK, French and German stores switched to 16 November on 2 October, as Newsshooter spotted. Sony didn’t announce the change. The date just appeared.
North America is less clear. Sony Electronics hasn’t published a new date, and B&H takes orders without showing one. On 26 October SonyAlphaRumors wrote that it had “100% reliable” confirmation that dealers will ship on 8 and 9 November. That comes from the site’s own sources, not from Sony, so treat it as a rumor until the boxes move.
Japan still reads “late October or later”, a notice Sony hasn’t touched since 18 September.
One more thing to keep in mind: orders ship in the order they were placed. If you ordered in October, you could easily be looking at December.
Step by step, with each date taken from Sony notices or store listings as reported by Newsshooter:
| Date | What happened |
|---|---|
| 22 July | FX5 announced. Japan release set for 21 August, US for mid-August |
| 28 July | Sony Japan warns of delays: orders far above its forecast |
| 18 August | Sony Japan postpones the release for “production-related circumstances”, no new date |
| Late August | Sony’s European stores list 16 October |
| 18 September | Sony Japan updates its notice: “late October or later” |
| 2 October | European stores move to 16 November |
| 26 October | SonyAlphaRumors reports North American shipping on 8–9 November |
The Japanese notice covers the whole system, not just the body: the DVF-EL1 viewfinder, the XLR-H2 handle and the VMC-BNCU1 timecode cable are delayed too.
Sony hasn’t said. What we have are owner reports, and they point the same way.
A small number of FX5s did reach customers in late August. On 2 October PetaPixel wrote about a buyer in Mexico City who got three bodies and found that the rear LCD assembly could shift out of position, leaving a gap that shows the inside of the camera. The same owner said rental units had the same problem. A second owner reported that Sony agreed to replace their camera, with the swap booked for 19 October. More recently, a post on the r/SONYFX5 subreddit described Sony replacing two bodies with units from a newer batch, which SonyAlphaRumors picked up on 25 October.
None of that proves the screen is the reason for the delay. But the timing fits, and retailer messages fit too: a German dealer told customers Sony was making a final quality adjustment that wouldn’t affect image performance, and Adorama spoke of extra time for “quality verification”.
It’s also a new part. The FX5 screen is bigger than the FX3’s (3.5 inches against 3.0) and moves in more directions: about 98° up, 40° down and 180° to the side, on what Sony calls a 4-axis multi-angle hinge. More joints, more ways for an assembly to sit wrong.
Nothing here needs tools, and it’s better done on day one than halfway through a job:
If something looks off, contact the dealer first. Owners who reported the problem say Sony replaced the camera rather than repairing it, but that’s their experience, not a published policy.
A reminder of why people are putting up with this. The FX5 sits between the FX3 and the FX6 in Sony’s Cinema Line and brings two things no FX camera had before: Open Gate and internal RAW.
| Sensor | Full-frame fully stacked Exmor RS CMOS, BIONZ XR2 with AI unit* |
|---|---|
| Dynamic range | 15+ stops in S-Log3, Dual Gain Shooting |
| Base ISO | 800, 4000 and 12800 |
| Video | 5K up to 60p, 4K up to 120p, FHD up to 240p |
| Open Gate | 3:2 full sensor readout, X-OCN only at launch |
| RAW | Internal X-OCN (16-bit linear): LT, plus new C1 and C2 |
| Stabilisation | 5-axis in-body, roll correction about twice the FX3’s |
| Screen | 3.5″, about 2.76M dots, 16:9, fully articulating touch LCD |
| Audio | 4 channels, up to 96 kHz 32-bit float with the XLR-H2 handle |
| Battery | NP-SA100, 2670 mAh, about 1.3x the NP-FZ100 |
| Other | Cooling fan in a sealed air chamber, dust and moisture resistant, wired LAN, 2 × USB-C with PD and timecode in |
| Price | $4,899.99 / €5,400 body. $5,499.99 / €6,000 with XLR-H2 |
*Sony’s press release doesn’t give a megapixel figure. Several outlets report 16.6MP, which we couldn’t confirm on Sony’s own pages.
Two catches worth knowing before you pick a workflow. Open Gate only works in X-OCN for now, and 240 fps is limited to compressed codecs. Sony’s version 2.0 firmware adds Open Gate in XAVC S-I, 240 fps in X-OCN, a vertical interface and frame grabs, but it’s scheduled for August 2027 or later. Buy it for what it does today.
If the open gate part is what sold you, the Sigma FP2 offers 6K open gate in a much smaller body from 11 November, though without IBIS or internal RAW.
Our take: if you already have a pre-order, keep it. Most big dealers, B&H included, don’t charge until the camera ships, so waiting costs you nothing but time, and cancelling sends you to the back of a long queue.
If you have a paid job before mid-November that you planned around the FX5, don’t gamble on these dates. Rent one, or rent an FX3 for that shoot. Three delays in three months is a pattern.
And if what you really need is a small full-frame cinema body that works now, the FX3 is still on sale, has years of accessories and firmware behind it, and launched at about $3,900 in 2021. You give up Open Gate, internal RAW, the bigger screen and the third base ISO. For a lot of corporate and event work, that’s a fair trade. For anyone cropping vertical and horizontal deliveries from one take, it isn’t.
It was announced on 22 July 2026 and a few units reached buyers in August, but general shipping hasn’t started. Sony’s European stores list 16 November 2026. North American shipping is reported for 8–9 November.
Sony says “production-related circumstances” and, earlier, demand above its forecast. Owner reports of rear screens shifting out of place, and retailer notes about a final quality adjustment, suggest a hardware fix. Sony hasn’t confirmed that.
There’s no sign of it. Sony still lists $4,899.99 for the body (ILME-FX5B) and $5,499.99 with the XLR handle (ILME-FX5). In Europe it’s €5,400 and €6,000.
Yes. Sony Japan’s notice covers the DVF-EL1 viewfinder, the XLR-H2 handle and the VMC-BNCU1 timecode cable along with the camera.
CamerasNew bodies, firmware updates and what they change on set.
LensesPrimes, zooms and anamorphics, with the look they give.
SoftwareEditing, grading and VFX tools, and the updates worth installing.
AccessoriesGimbals, monitors, audio, lights and the small things that save a shoot.
TipsTechniques and tutorials, from exposure to storytelling.